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BAA - Minutes of Graphics Unit Meetings
Parte de1-ORGANISATIONAL BACKGROUND
Handwritten notes on the meeting between the Medu Graphics Unit and the Botswana Artists Association (BAA). The main concern was "on what basis should the Medu Graphics Unit make itself available to the BAA.
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Minutes of Graphics Unit Meeting
Parte de1-ORGANISATIONAL BACKGROUND
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Minutes of Graphics Unit Meetings
Parte de1-ORGANISATIONAL BACKGROUND
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Minutes of Medu General Meeting
Parte de1-ORGANISATIONAL BACKGROUND
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Minutes of Publishing and Research Unit
Parte de1-ORGANISATIONAL BACKGROUND
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Minutes of Publishing and Research Unit
Parte de1-ORGANISATIONAL BACKGROUND
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Minutes of Publishing and Research Unit
Parte de1-ORGANISATIONAL BACKGROUND
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Parte de1-ORGANISATIONAL BACKGROUND
The policy declaration is for conference related to establishing bilateral relations with cultural and arts groups in Southern Africa to enrich and share the experience.
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Newsletter 1979, Vol. 1, No. 2
Parte de3-MEDU NEWSLETTERS
In this newsletter, there are five poetry sections, namely Dead roots, Apology from London by Arthur Nortje, Miles of many fears by Bachana wa Mokwena, A prayer for Africa from the mouths of babies by Mandlenkosi Langa and I surrender by Thele Moema. Other section is the art review of the film by Mongane Serote called 'The wild Geese'. Medu's views on burning current issues in South Africa are included, interview by Bachan wa Mokwena interviewing Teresa Devant de Gonzalez regarding the theatre and the role of an artist in an oppressive system. Lastly, there are featured articles by Molefe Pheto, Phetu Serote and Timothy Williams.
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Special Edition 1981, No to the White Republic, Yes to the People's Republic, Part B
Parte de3-MEDU NEWSLETTERS
The title of this Medu special edition is "No to the White Republic, Yes to the People's Republic". While PW Botha held celebrations for the anniversary of the Apartheid republic, Medu used this edition to say "Stop the Republic Day Festival". Bachana Mokwena's article on the 20th anniversary of the "bloodthirsty republic" gives a strong historical background to the processes of the republics formation, and the united opposition against it. Further, John Donne writes about Grigori Oganov's insight into the relationship between culture and resistance and between art, artists and their communities. Artworks by Thami Mnyele and Judy Seidman are included throughout the publication, including a sharp and graphic description of black life in South Africa entitled "Fragments: A Brief Comment on Black Lives in South Africa" by Thami Mnyele. Front page graphic by Judy Seidman and the Medu Art Collective.
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