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Strategies for an Independent Radical Cinema

Keya Tomaselli proposes strategies for independent and radical cinema to grow in South Africa, especially considering the oppressive context of Apartheid. He argues for "Ter Cinema", a radical tradition of filmmaking which would create films for the oppressed majority. Tomaselli critiques a range of films and proposes new directions for filmmaking, starting with more engaged and radical film departments in universities. He reflects that cinema has often been called the "dream factory" and that "dreams are to be found in all levels of filmmaking, including those productions which set out to challenge the status quo".

Medu Art Ensemble

Song and Struggle

What is a progressive song? In this paper entitled "Song and Struggle", Muff Andersson argues that musicians (primarily lyrical musicians) should write songs that "keep the cogs of the struggle moving on". This can be done through writing progressive songs or ensuring that a communities' consciousness is reflected in a song and its ideas.

Medu Art Ensemble

Role of the Black Writer in South African History

The black writer holds a key position in liberating South Africa. Richard Rive believes that black writers personalise individual experience and that this plays a role in showing what society was, what it is and what it is heading towards. Rive argues that black writers owe allegiance to their own writing, their society and to their humanity.

Medu Art Ensemble

Art and Revolution in South Africa: The Theatre of Athol Fugard

In this paper, it is argued that the theatre of Athol Fugard very rarely engages with the experiences of the proleteriat and the oppressed. The author argues that while Fugard did manage to transcend racial categories in his early work and engaged extensively with the scene and identities of the black working classes, he has failed to consistently produce meaningful plays which engage these audiences.

Medu Art Ensemble

Culture and Resistance Conference and Art Toward Social Development Exhibition Pamphlets

There are two (duplicate) pamphlets that provide brief information advertising for both the Culture and Resistance Symposium and the Art Toward Social Development Exhibition. Included within the flyer is a schedule for the Culture and Resistance Symposium with the dates and main topics for each day, together with the registration form that had to be filled by all attendees. The exhibition is advertised as being comprehensive, dynamic and historic for people. The exhibition aimed at having open discussion with the artists about the direction of South African culture.

Medu Art Ensemble

Background Information to the Exhibition, Symposium and Festival of South African Arts

The document outlines the background to both the Art Toward Social Development exhibition and the Culture and Resistance Symposium. The exhibition was a culmination of two years work by South African artists who lived in Botswana. The idea came out of a number of individual exhibitions that were held by South African artists at the National Museum and Art Gallery in Gaborone. The holding of the Culture and Resistance Symposium and arts festival was developed for artists and cultural workers to meet and share different ideas. The objectives of the symposium are to expose South African cultural workers to a wide range of cultural work, to expose South African cultural workers to South African cultural developments and to produce a book on South African culture.

Medu Art Ensemble

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