The AMO's african.pictures project includes the past and present works of Afrapix photographers, including images from:

Gille de Vlieg (approximately 800 images)
Paul Weinberg (approximately 3000 images)
Graeme Williams (approximately 4000 images)
Gisele Wulfsohn (approximately 400 images)

"The collection consists of over 1100 black-and-white and color exhibit prints representing the work of over 50 South African photographers who documented conditions during and after apartheid, from about the 1940s to 2013, with most dating after 1960. Arranged in five series representing projects curated by documentary photographers Alex Harris, Paul Weinberg, and others: Beyond the Barricades, The Cordoned Heart, Then and Now, Underexposed, and The Other Camera. There is also a series of work by Jeeva Rajgopaul. Set in rural and urban South Africa, the images portray political rallies; protests; forced removals; funerals; social gatherings such as dances and concerts; work and domestic life; the life of the elderly, the migrants, and the impoverished; and labor organizing and strikes. There are many portraits of individuals of all races and classes, well-known activists and politicians, as well as countless ordinary South African citizens. Many of the photographers were members of Afrapix, a collective photography agency engaged in documenting the anti-apartheid struggle. There is a small amount of printed material, as well as a selection of digital image files and a digital audio file of an exhibit talk. Acquired as part of the Archive of Documentary Arts at Duke University."
Source: South Africa documentary photographs collection, Archives & Manuscripts, Duke Univerity Libraries

The collection contains the photographic work of the South African photographer Ernest Cole, some of which culminated in the iconic book "House of Bondage", published in 1967. Also included are his notes, correspondence and research material, as well as his photographic work which he continued in the USA.

These images were published in the book "House of Bondage". Each of the 184 photographs originate from one of the folders in B2.1-24, from which they were extracted. The images which were selected for the book are marked on the original contact sheets and the negative sheets.

At assignment desk clerk's rubber stamp dictates mine where man will work.