- ZA HPRA A3440-A-A3-A3.2-A3.2.1
- sub-sub-sub-series
Fait partie de Ernest Cole, Photographic collection and Papers
Listing of subject matter, from 66-1 to 66-19, which also relate to the contact sheets and the files with research material.
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Description archivistique 
- ZA HPRA A3440-A-A3-A3.2-A3.2.10
- sub-sub-sub-series
Fait partie de Ernest Cole, Photographic collection and Papers
Newspaper clips relating to crime.
- ZA HPRA A3440-A-A3-A3.2-A3.2.11
- sub-sub-sub-series
Fait partie de Ernest Cole, Photographic collection and Papers
Newspaper clips; captions for images; typescript written and signed by Can Themba about shebeens and liquor law in South Africa, undated.
- ZA HPRA A3440-A-A3-A3.2-A3.2.12
- sub-sub-sub-series
Fait partie de Ernest Cole, Photographic collection and Papers
Folder empty.
- ZA HPRA A3440-A-A3-A3.2-A3.2.13
- sub-sub-sub-series
Fait partie de Ernest Cole, Photographic collection and Papers
Newspaper clips with photographs by Ernest Cole about the Pretoria Non-European Hospital.
- ZA HPRA A3440-A-A3-A3.2-A3.2.14
- sub-sub-sub-series
Fait partie de Ernest Cole, Photographic collection and Papers
Notes, typescripts, captions for images.
Catholic missionary, no. 66-14
- ZA HPRA A3440-A-A3-A3.2-A3.2.15
- sub-sub-sub-series
Fait partie de Ernest Cole, Photographic collection and Papers
Folder empty.
- ZA HPRA A3440-A-A3-A3.2-A3.2.16
- sub-sub-sub-series
Fait partie de Ernest Cole, Photographic collection and Papers
File is labelled "Ancestral worship". Newspaper clip "Young woman prospers as witchdoctor" with photographs by Ernest Cole, written by Joseph Lelyveld for The New York Times, 14 November 1965
- ZA HPRA A3440-A-A3-A3.2-A3.2.17
- sub-sub-sub-series
Fait partie de Ernest Cole, Photographic collection and Papers
Typescripts; newspaper clips, one of these mentioning the last coffee cart being forcibly removed by the police.
- ZA HPRA A3440-A-A3-A3.2-A3.2.18
- sub-sub-sub-series
Fait partie de Ernest Cole, Photographic collection and Papers
Article about gambling Fah-Fee, with photographs by Ernest Cole.
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