- ZA HPRA A3440-B-B3-B3.2
- sub-sub-series
- 1960s
Showing 43 results
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- ZA HPRA A3440-B-B3-B3.1
- sub-sub-series
- 1960s
Including portraits of Ernest Cole himself; images from the Rivonia trial depicting Winnie Mandela and family members; other including Matanzima arriving at a train station for a meeting.
- ZA HPRA A3440-C-C1-C1.3
- sub-sub-series
- undated
- ZA HPRA A3440-A-A3-A3.2
- sub-sub-series
- 1960s
Ernest Cole collected background information for each of the chapters in the book and placed them in folders, which he labelled "66" and according to subject matter. Included are newspaper clips, some with his own photographs, brochures, typed notes. He also typed up the captions and placing of images in the book. However, the final book chapters were laid out in a slightly different order.
Press clippings and publications, South Africa
- ZA HPRA A3440-A-A3-A3.3
- sub-sub-series
- 1960s
Ernest Cole left the DRUM magazine in 1960, and freelanced for South African newspapers and the Associated Press, which was a first in those days. He was always thinking of making a book. While he was doing smaller projects, or assignments, he considered how they fitted into a wider body of work (Magnum Photos). Therefore these early newspaper clips and publications which he collected around the effects which Apartheid had particularly on black South Africans, led to his book 'House of Bondage', with a number of them also containing his photographs. Again, the original order of the way in which these clippings were received, has been widely retained, i.e. they were not part of the folders in section A3.2.
- ZA HPRA A3440-A-A4-A4.7
- sub-sub-series
- ZA HPRA A3440-A-A4-A4.3
- sub-sub-series
Mainly relating to Harlem
- ZA HPRA A3440-B-B2-B2.9
- sub-sub-series
- 1960s
- ZA HPRA A3440-B-B2-B2.8
- sub-sub-series
- 1960s
- ZA HPRA A3440-B-B2-B2.7
- sub-sub-series
- 1960s