Shakespeare, plants, and chemical analysis of early 17th cenury clay 'tobacco' pipes from Europe
- ZA HPRA A3391-2
- Series
- July/August 2015
Part of Francis Thackeray, publications
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Shakespeare, plants, and chemical analysis of early 17th cenury clay 'tobacco' pipes from Europe
Part of Francis Thackeray, publications
Mannie Manim, Founder of the Market Theatre
Correspondence relating to the recommendation of the Board of Preliminary Enquiry
President of the South African Students Movement (SASM) and later a member of the South African Student Organisation (SASO). He was arrested and sentenced. After his release he went into exile and joined the ANC.
Member of the coloured community, and removed from the town of Graaff-Reinet to Kroonvale. Worked as a teacher and was very active in sport. Was the son of the late Rev. Fred Hufkie.
Community member from uMasizakhe and involved in ANC politics. He left for political exile in 1985.
Part of Brian Mitchell Papers
Mitchell, Brian
Economic Freedom Fighters and the Speaker of the National Assembly and Another (CCT143/15)
Part of Gilbert Marcus SC, Legal matters
The matter between The Economic Freedom Fighters (Applicant) and The Speaker of the National Assembly (First Respondent), Jacob Gedleyihlekisa Zuma, The President of the Republic of South Africa (Second Respondent), The Public Protector (Third Respondent)
Market Theatre Oral History Project
It has been recognized that there is no comprehensive and complete archive on The Market Theatre that covers the years mentioned above, and this is a serious gap in historical recording of knowledge in South Africa. The archives that exist at present are housed in various places across the country. These include the Wits Historical Papers, The Star Newspaper, NELM and the State Theatre archive. This project proposed filling that gap by initially establishing what is missing in the various existing archives, negotiating with custodians of said archives in order to possibly bring original material together under one roof or to make copies of this material. The project also aimed at conducting interviews across the country with practitioners who worked at The Market Theatre during that time in order to compile a living memory that will be included in the archive, before this valuable knowledge is lost.
This archive will enable those researchers, academic or otherwise, to access knowledge on the art of that era, information on Apartheid and the arts, and The Market Theatre in general. There is no other archive that specifically addresses performance during the Apartheid era. It is thus vitally important that this history is readily available to anyone who might need to access it. It is also imperative that this history is recorded before it is lost. Innovation lies in the content of the archive.
Market Theatre Oral History Project