"The collection consists of over 1100 black-and-white and color exhibit prints representing the work of over 50 South African photographers who documented conditions during and after apartheid, from about the 1940s to 2013, with most dating after 1960. Arranged in five series representing projects curated by documentary photographers Alex Harris, Paul Weinberg, and others: Beyond the Barricades, The Cordoned Heart, Then and Now, Underexposed, and The Other Camera. There is also a series of work by Jeeva Rajgopaul. Set in rural and urban South Africa, the images portray political rallies; protests; forced removals; funerals; social gatherings such as dances and concerts; work and domestic life; the life of the elderly, the migrants, and the impoverished; and labor organizing and strikes. There are many portraits of individuals of all races and classes, well-known activists and politicians, as well as countless ordinary South African citizens. Many of the photographers were members of Afrapix, a collective photography agency engaged in documenting the anti-apartheid struggle. There is a small amount of printed material, as well as a selection of digital image files and a digital audio file of an exhibit talk. Acquired as part of the Archive of Documentary Arts at Duke University."
Source: South Africa documentary photographs collection, Archives & Manuscripts, Duke Univerity Libraries

Some of the Afrapix photographers have deposited their collections at the University of Cape Town, where there have been digitised and made available as part of the UCT Libraries Digital Collections.

The following past and present works of Afrapix photographers can be found here, including images from the Afrapix period:

John Liebenberg: https://digitalcollections.lib.uct.ac.za/john-liebenberg
Cedric Nunn: https://digitalcollections.lib.uct.ac.za/cedric-nunn-0
Guy Tillim: https://digitalcollections.lib.uct.ac.za/guy-tillim
Graeme Wiliams: https://digitalcollections.lib.uct.ac.za/graeme-williams

The collection of the more than 4000 photographs by the photographer William Matlala also contains a small number by Afrapix photographers Cedric Nunn, Anna Zieminski, Santu Mofokeng and Paul Weinberg.

William Matlala was a freelance photographer specializing in Labour and Trade Union activities, who has served the Congress of South African Trade Unions (COSATU) in his capacity as photographer particularly in the 1990s.

The Afrapix photographers represented in this collection are Anna Zieminski, Eric Miller, and others unidentified.

The YCS was an international movement, which embraced Christian values of love, justice and peace. It was an ecumenical Christian student movement operating in parishes, schools, seminaries, universities and other higher education institutions. It had its origins in the Belgium Catholic Church at the beginning of the twentieth century.

The YCS was started in South Africa in 1959, initially as a parish for younger school goers who were members of the Young Christian Workers. The main aim of the YCS at this time was to ‘Christianise’ the schools and universities. From 1965, it also began to focus on high schools. Its activities were centred around get-togethers, rallies and groups who looked critically at youth culture and education. Actions focused on: charity, parish work, and challenging values at schools.

In the mid 1970’s the YCS became an independent non-racial movement in South Africa.