The AMO's african.pictures project includes the past and present works of Afrapix photographers, including images from:

Gille de Vlieg (approximately 800 images)
Paul Weinberg (approximately 3000 images)
Graeme Williams (approximately 4000 images)
Gisele Wulfsohn (approximately 400 images)

"The collection consists of over 1100 black-and-white and color exhibit prints representing the work of over 50 South African photographers who documented conditions during and after apartheid, from about the 1940s to 2013, with most dating after 1960. Arranged in five series representing projects curated by documentary photographers Alex Harris, Paul Weinberg, and others: Beyond the Barricades, The Cordoned Heart, Then and Now, Underexposed, and The Other Camera. There is also a series of work by Jeeva Rajgopaul. Set in rural and urban South Africa, the images portray political rallies; protests; forced removals; funerals; social gatherings such as dances and concerts; work and domestic life; the life of the elderly, the migrants, and the impoverished; and labor organizing and strikes. There are many portraits of individuals of all races and classes, well-known activists and politicians, as well as countless ordinary South African citizens. Many of the photographers were members of Afrapix, a collective photography agency engaged in documenting the anti-apartheid struggle. There is a small amount of printed material, as well as a selection of digital image files and a digital audio file of an exhibit talk. Acquired as part of the Archive of Documentary Arts at Duke University."
Source: South Africa documentary photographs collection, Archives & Manuscripts, Duke Univerity Libraries

The exhibition and subsequent book publication, was curated and produced by Omar Badsha, as a product of the photographic project for the Second Carnegie Inquiry into Poverty and Development in Southern Africa in 1983. The exhibition was comprised of the work of 28 South African Photographers.

"On 24th April 1984 over 300 hundred academics, artists and photographers attended a conference at UCT where 300 research papers were presented and the exhibition titled South Africa The Cordoned Heart made up of over 36 photographic essays comprising of 386 images were exhibited in the foyer of UCT's Leslie Building. The exhibition was part of a mini cultural festival of film, music and performances. (Francis essay)"

South Africa: The Cordoned Heart: A short history of the photography project of the Second Carnegie Inquiry into Poverty and Development in Southern Africa (Source: Omar Badsha website https://www.omarbadsha.co.za)

Taking Sides: Conflict in South Africa 1984-1986: An Afrapix exhibition

The exhibition was compiled with photographs from the Afrapix collective, with the assistance of Oxfam, Canada. They depict images of conflict, funerals, youth, labour and culture vs Apartheid South Africa.

Formed in September 1987, the National Progressive Primary Health Care Network was established in order to promote Primary Health Care, particularly to poor people in rural areas. The NPPHCN was committed to equal, accessible, good health services which everyone can afford and access, and that there should be a national health service.

The collection contains a number of images by Afrapix photographers, which were used by the NPPHCN for exhibitions, conferences, pamphlets and other outreach material. Included are Graham Goddard, Guy Tillim, Cedric Nunn, Roger Meintjes, Chris Ledochowski, Lesley Lawson, Gisele Wulfsohn, Gideon Mendel, Anna Zieminski, Steve Hilton-Barber, Gill De Vlieg.

The photographs were taken by Ellen Elmendorp during a rally after the release of Patrick "Terror" Lekota from Robben Island. He was one of the accused in the Delmas Treason Trial.

The collection contains the personal and professional papers of Chief Justice Arthur Chaskalson. Justice Arthur Chaskalson was the President of the Constitutional Court of South Africa from 1994 to 2001 and Chief Justice of South Africa from 2001 to 2005. He was also part of the defence council during the Delmas Treason Trial (1985-1989), also known as the Vaal Triangle Treason Trial.

The photographs by Afrapix photographers were used for an exhibition depicting women in various settings. The images are of relocations (forced removals - Weenen and others), women workers and farm workers, demonstrations by women, FEDTRAW rally, women in trade unions, women affected by violence, and living conditions of women in urban environments.

Photographers include: Paul Weinberg, Chris Ledochowski, Lesley Lawson, Gill de Vlieg, Anna Zieminski, Cedric Nunn, Gisele Wulfsohn, Dave Hartman, Paul Grendon, Guy Tillim, Pax Magwaza, Gill Cargill, Steve Hilton-Barber.

Some of the Afrapix photographers have deposited their collections at the University of Cape Town, where there have been digitised and made available as part of the UCT Libraries Digital Collections.

The following past and present works of Afrapix photographers can be found here, including images from the Afrapix period:

John Liebenberg: https://digitalcollections.lib.uct.ac.za/john-liebenberg
Cedric Nunn: https://digitalcollections.lib.uct.ac.za/cedric-nunn-0
Guy Tillim: https://digitalcollections.lib.uct.ac.za/guy-tillim
Graeme Wiliams: https://digitalcollections.lib.uct.ac.za/graeme-williams

Crossroads '86 was an exhibition with photographs by Dave Hartman and Guy Tillim.

The images documented the destruction and forced removals of squatter communities from the Crossroads complex and KTC.