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Medu Art Ensemble Consolidation Project Subseries
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Memorial Programme

Memorial service of Jenny and her daughter Katryn Schoon (6 years old) was held on the 8 July 1984 at Anglican Church. They were killed by a parcel bomb in Angola, six months after they fled Botswana due to attempted attack on their home in December 1983. They were murdered on the 28 June 1984. Programme has key note speakers, hymns, South African Anthem and Botswana National Anthem.

Medu Art Ensemble

Minutes of Executive Meetings

These are two documents of the meeting minutes for the Medu executive. The discussions are over-arching about finance, equipment and the state of work done by the different Medu units. Also included is a meeting between the Medu executive, Jonas Gwangwa and Dennis Mpale.

Medu Art Ensemble

Minutes of General Meetings

General meetings of Medu consisted of all Medu members; they were held ever 3 months. The general meetings addressed policy, Medu orgnisation and election of officials, and issues arising from specific units.

Medu Art Ensemble

Minutes of Graphics Unit Meetings

These are minutes of meetings held by the Medu Graphics Unit between October 1982 and May 1984. The meetings included hard discussions about the racial composition of Medu, discussions of content of graphics and posters produced by Medu, and administration discussions over finances, projects, trips, training programmes and the structure of Medu.

Medu Art Ensemble

Minutes of Publication and Research Unit Meetings

These are the minutes of the Medu publication and research unit meetings that were held between 1982 and 1983. P&R was established to manage general administrative matters, and to address issues relating to the structure, layout and publishing of newsletters, the holding of events and the publishing of monographs and books. In 1983 P&R was divided into the Naledi Writers Unit, and the Medu Executive.

Medu Art Ensemble

Musicians are part of the people

In this paper, Barry Gilder argues that it is impossible for musicians to be separate from the struggle against Apartheid in South Africa. He suggests that musicians have two options; to be part of the struggle against Apartheid as "revolutionaries who make music" or as musicians who participate in the "revolution as musicians". Musicians can fight Apartheid through holding benefit concerts, creating their own record labels, organising into a collective musical organisation and boycotting the Apartheid state. These methods of resistance and artistic expression, the author argues, will all contribute to a necessary and genuinely popular and progressive musical culture.

Medu Art Ensemble

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