- ZA MEDU MEDU-2-2.31
- Unidad documental simple
- 1982
Parte de2-MEDU POSTERS
Artists: Judy Seidman
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Parte de2-MEDU POSTERS
Artists: Judy Seidman
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Unite, Resist and Act For Freedom!
Parte de2-MEDU POSTERS
Artists: Thami Mnyele, Tim Williams and Medu Collective
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Parte de2-MEDU POSTERS
Artists: Thami Mnyele
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Don't Entertain Apartheid: Support the Cultural Boycott!
Parte de2-MEDU POSTERS
Artists: Judy Seidman
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Art Toward Social Development: An Exhibition of South African Art
Parte de4-MEDU CULTURAL WORK
A background to the Exhibition of South African Art called "Art Toward Social Development" that was held on the 10 June to 10 August 1982 at National Museum and Art Gallery in Gaborone, Botswana. The exhibition reflects a panorama of South African art in 1982 through paintings, photographs and sculptures. The entire spectrum of South African society is reflected here. The first page of the document introduces the exhibition. Subsequent pages include a list of the artists and their artforms as well as biographies of the exhibitors.
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Art Toward Social Development Exhibition Flyer
Parte de4-MEDU CULTURAL WORK
The flyer includes advertisements for the Art Toward Social Development exhibition and Culture and Resistance Symposium/Festival which included art, photography, film, literature, theatre, music and dance. The Art Toward Social Development exhbition would take place from 10 June - August 10 1982. The Culture and Resistance Symposium dated July 5 - 9 July 1982. At the back of the flyer there is information that the opening of Art Toward Social Development would be done by Thami "Thamsanqa" Mnyele at 18:30 on Wednesday, 9 June 1982 at the National Museum and Art Gallery. The front cover is the poster for the exhbition.
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Parte de4-MEDU CULTURAL WORK
The night keeps winking , poem by Mongane Serote and artwork was done by Thami Mnyele and was published by Medu in Gaborone in 1982.
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Southern African News Round-up
Parte de4-MEDU CULTURAL WORK
Cover design for SANRU by Judy Seidman on behalf of Medu. Flyer published by Botswana Orientation Centre in Gaborone, Botswana.
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Is the concept of "black poetry" valid? James Matthews argues that black poetry has become a powerful force in South Africa. He suggests that poetry by and about the black majority is locally grounded and people no longer look toward America for such inspiration. Matthews draws links between black poetry, black consciousness and black power.
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Minutes of Medu General Meeting
Parte de1-ORGANISATIONAL BACKGROUND
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