- ZA HPRA A3440-A-A3-A3.2-A3.2.10
- sub-sub-sub-series
Newspaper clips relating to crime.
Newspaper clips relating to crime.
Education for servitude, no. 66-8
File is labelled "Education for Bantu". Notes, typescripts and photo captions.
Poverty (Artificial), no. 66-7
File is labelled "Below the breadline". Notes and newspaper clips, including "Poverty - like daily grind - remains, by Jill Chisholm and photographs by Ernest Cole, Mamelodi, undated
File is labelled "Boys meat". Including notes; photo captions; Lionel Forman anniversary booklet, with introduction by Ray Alexander, undated, incomplete; newspaper clips
Notes, newspaper clips about removals in Vryheid; brochure "Bantu Residential Areas in Pretoria", issued by the Department of Non-European Affairs Pretoria City Council, 1965; brochure "Activities of the Non-European Affairs Department" Johannesburg, 1964.
Typescript article about Pass Law arrests
Typescript article about race relations in the Pretoria suburb of Riverside, following a DRUM article "Black and White live side by side", written by Casey Motsisi and pictures by Ernest Cole, including the original DRUM article, May 1962; captions for images, originally entitled 'Integration'. 'Main' file seems to be missing.
Migration Mine labour, no. 66-1
Included amongst others: 'Africa South in Exile' April-June 1961; blank and completed forms of labour contracts with Conditions of Employment; "The gold of migrant labour
Newspaper clips, South Africa general
Contained in an envelope, addressed to Enuga Reddy, at the United Nations, By Hand from Andrew Maguire. The clips cover all spheres of life including music (Dollar Brand, the King Kong band), removals (Vryheid), labour, beer brewing, race relations within the Catholic and Anglican Church.
Mainly around the subject of 'Bantu Education', some of them from the newspaper 'Spark' and 'Rand Daily Mail', including his photographs; also included a full page article by Anthony Lukas from the New York Times about the daily life of Jimmy Nkosi, published in the Sunday Chronicle, 31 January 1965, possibly with photographs by Ernest Cole.