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Newsletter, No. 25

Newsletter, No. 25

Including reporting about the "Solidarnosc" movement in Poland.

Newsletter 1983, Vol. 5, No. 2

Newsletter 1983, Vol. 5, No. 2

What can our art be used for? Used by Whom? This edition of Medu explores the importance of art and its inextricable relationship to community. Two interviews, one with playwright Maki Mapogo and another with Musician Johnny Clegg, explore their artforms and the relationships these artforms have to community and activism. The Zimbabwe Writers'Workshop, chronicled in this edition, had extensive discussions on the political responsiblities of writers, includes delegates like Dambudzo Marechera and extracts from writers like Emmanuel Ngara, Micere Mugo and T.T. Moyana. The edition is concluded by Mongane Serote's in-depth article on the Politics of Culture in southern Africa. Front page graphic by Miles Pelo.

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Medu Calendar

Medu Calendar

Ordinary months of the year and display of Medu Posters.

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Art and Revolution in South Africa: The Theatre of Athol Fugard

Art and Revolution in South Africa: The Theatre of Athol Fugard

In this paper, it is argued that the theatre of Athol Fugard very rarely engages with the experiences of the proleteriat and the oppressed. The author argues that while Fugard did manage to transcend racial categories in his early work and engaged extensively with the scene and identities of the black working classes, he has failed to consistently produce meaningful plays which engage these audiences.

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The Night keeps Winking

The Night keeps Winking

The night keeps winking , poem by Mongane Serote and artwork was done by Thami Mnyele and was published by Medu in Gaborone in 1982.

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