Donald Woods, Editor in Chief of the Daily Dispatch
- ZA HPRA A3371-5-5.2
- Stuk
- 1970s
Donald Woods, Editor in Chief of the Daily Dispatch
Part of 5-MNF/MNG - (Managerial files)
Part of Bantu World
Art and Revolution in South Africa: The Theatre of Athol Fugard
In this paper, it is argued that the theatre of Athol Fugard very rarely engages with the experiences of the proleteriat and the oppressed. The author argues that while Fugard did manage to transcend racial categories in his early work and engaged extensively with the scene and identities of the black working classes, he has failed to consistently produce meaningful plays which engage these audiences.
Zonder titel
JHB Alexandra St. Michael Baptisms
Part of Anglican Parish Registers
Basil "Manenberg" Coetzee playing the saxophone, a musician who has become a familiar feature at political meetings in Cape Town. All his compositions ar politically inspired. 1984
Zonder titel
Role of the Black Writer in South African History
The black writer holds a key position in liberating South Africa. Richard Rive believes that black writers personalise individual experience and that this plays a role in showing what society was, what it is and what it is heading towards. Rive argues that black writers owe allegiance to their own writing, their society and to their humanity.
Zonder titel
Tic-Tok cabaret at the Black Sun.
Two actors in the Tic-Tok - Cabaret at the Black Sun in Yeoville.
Zonder titel
What is a progressive song? In this paper entitled "Song and Struggle", Muff Andersson argues that musicians (primarily lyrical musicians) should write songs that "keep the cogs of the struggle moving on". This can be done through writing progressive songs or ensuring that a communities' consciousness is reflected in a song and its ideas.
Zonder titel
Dance/theatre Workshop group in Cape Town
Dance/Theatre workshop group in Cape Town. A black and white woman are dancing.
Zonder titel