Springbok Legion: Correspondence
- ZA HPRA AD1715-21-21.3
- Subsérie
- 1949-1953
Parte de South African Institute of Race Relations (SAIRR), Records
Springbok Legion: Correspondence
Parte de South African Institute of Race Relations (SAIRR), Records
Parte de South African Institute of Race Relations (SAIRR), Records
News clips on 'Coloured' policy
Parte de South African Institute of Race Relations (SAIRR), Records
Memo on the Proposed Investigation on the Social and Economic Condition of Indians in South Africa
Parte de South African Institute of Race Relations (SAIRR), Records
Correspondence re the Swaziland Progressive Association
Parte de South African Institute of Race Relations (SAIRR), Records
J.B. McI. Daniel: 'An Outline of Economic and Political Events in Swaziland'
Parte de South African Institute of Race Relations (SAIRR), Records
Parte de Provincial Synod, Minute books
Newsletter 1979, Vol. 1, No. 2
Parte de 3-MEDU NEWSLETTERS
In this newsletter, there are five poetry sections, namely Dead roots, Apology from London by Arthur Nortje, Miles of many fears by Bachana wa Mokwena, A prayer for Africa from the mouths of babies by Mandlenkosi Langa and I surrender by Thele Moema. Other section is the art review of the film by Mongane Serote called 'The wild Geese'. Medu's views on burning current issues in South Africa are included, interview by Bachan wa Mokwena interviewing Teresa Devant de Gonzalez regarding the theatre and the role of an artist in an oppressive system. Lastly, there are featured articles by Molefe Pheto, Phetu Serote and Timothy Williams.
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Newsletter 1982, Vol. 4, No. 1, Opening the Doors of Culture
Parte de 3-MEDU NEWSLETTERS
This edition of the Medu Art Ensemble newsletter contains poetry, articles, book reviews, play reviews and letters. It contains several articles, critical essays and play reviews and seeks to engage in some "hard talking about the position of culture in our society at this time". This "hard talking" is present in a number of critical articles, notably by Ngugi Wa Thiong'o and Judy Seidman. Albie Sachs writes a fascinating letter to Medu which reflects on how much of the literary and artistic work is "agonized". His experience of being in exile in Mozambique has led him to believe that artists are trying to "outshout" the oppressor. He sees value for artists in "building up liberated zones" inside themselves and creating images outside of the context of the oppressor. Front page graphic by Thami Mnyele on silkscreen.
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Parte de 3-MEDU NEWSLETTERS
The Medu Festival Edition has been termed as such because it contains some of the best articles, poems and short stories collected in earlier editions. This is Medu's contribution to the Culture and Resistance Festival of 1982. The aim of the festival was to showcase examples of the rich cultural heritage of southern Africa. The display of art and culture aims to challenge the brutal and systemic repression of the cultural life faced by the oppressed in South Africa. This edition contains a range of poetry and short stories each poignantly reflecting on the tumult of the 1980s. The poetry and prose of Mongane Serote, John Donne, Miles Pelo, Mafika Gwala and Mandlenkosi Langa are included. The edition is ended with an interview with Thami Mnyele and graphics from Medu members. Front page graphic a collection of Medu poster arranged by the Medu Art Collective on silkcreen.
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