This document, composed by the Medu Art Collective, is a political input calling for a cultural boycott against Apartheid. This boycott aims at foreign artistic or cultural groups touring South Africa, boycotting the Apartheid government's cultural events and for progressive organisations to collectively and diligently organise these boycotts against Apartheid.

This is the original draft of the article by Thami Mnyele for Staffrider in 1984. He explains how Bongiwe Dlomo's exhibition at the Botswana Museum and Gallery showcases the growth of art in South Africa at the Bostwana Museum and Art Gallery. Mnyele stresses that visual artists in his country [South Africa] should take action or express their thoughts about their struggle - a failure to do so might imply the grave of ignorance that could break their lives as people. Mnyele argues that the country is in need of of new calibre of cultural worker, one who is committed to their community and to struggle in both visual arts and song. In conclusion, Mnyele quoted the call that was made at the gathering of the Art Toward Social Development Exhibition and Culture and Resistance Symposium in 1982: "Forward with the creation of a new calibre of cultural worker!"