Subseries 5.2.3 - Critical Perspectives: The Role of the Visual Artist

Open original Digital object

Identity area

Reference code

ZA MEDU MEDU-5-5.2-5.2.3

Title

Critical Perspectives: The Role of the Visual Artist

Date(s)

  • 1982 (Creation)

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Extent and medium

10 pages

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(1978-1985)

Administrative history

The Medu Art Ensemble was formed by South Africa exiles in Gaborone, Botswana, in 1978. The organisation produced a wealth of creative work across all major art-forms; the roup further played a key role in shaping aesthetic and cultural theory and praxis within Africanist and liberation struggles. On June 14 1985, the South African Defence Force attacked the homes of Medu members and other activists in Gaborone, killing 12 people; Medu as an organisation ceased to exist.

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Paper presented at the Culture and Resistance Conference, Gaborone, 5-9 July 1982.

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What is the role of the visual artist in the struggle and how is it judged as "art"? Gavin Jantjes discusses how visual art should challenge the interiorisation of Western artistic evaluation (and its pressures on artistic quality) and rather appeal to instill in ones own community a meaningful interest in both their culture and art. He regards black artists as being sidelined on the global stage and urges artists to fight racism and eurocentricism in art.

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Permission to publish must be obtained from the Medu Art Ensemble Project.

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