The Situation of Criticism in South Africa by N.W. Visser.

Poetry and History: Contradictions in Black Consciousness.

Verse by Stephen Watson, University of Cape Town; Changing Perspectives in Feminist Criticism by Ann Smith, University of the Witwatersrand; Shakespeare, Film and Television - and the authority of performance by E.A. Davies, Shakespeare Institute, Birmingham, U.K.; The Structure of Myth and J.M. Coetzee's 'In the Heart of the Country' by Damian Garside, University of Durban-Westville.

A Critique of the Dominant Ideas in Departments of English in the English-speaking universities of South Africa by Michael Vaughan.

Staffrider and Directions within Contemporary South African Literature by Michael Vaughan.

The Theatre of 'Zakes Mda: an outline of topics' by Andrew Horn, National University of Lesotho.

The Semiotics of Alternative Publishing in South Africa: the case of Critical Arts by Keyan Tomaselli, Ian Steadman, Susan Gardner, Ruth Tomaselli, Joe Muller, Eve Bertelsen, David Maughan Brown and Graham Hayman.

Writing the Future: Doris Lessing's The Four-Gated City by M.J. Daymond.

Critical Responses and the Fiction of Pauline Smith by Michael Gardiner.

Women, Operatives and Inner Conflict: A Study of Charlotte Bronte's Shirley by Margaret Lenta.

Metastasis, or Dumas, Joyce and the Dark Avenger by Don MacLennan, Rhodes University.

Pauline Smith: A Feminist Map by Dorothy J. Driver.

Words and Images - Charles Tomlinson.

Painter and Poet by Sheila Schlesinger, Johannesburg College of Education.

A lesson from Aloes as Situation Drama by Veronica Bowker.

The Remains of Romanticism: Crow, Myth and Ideology by P.A. Gibbon The Manifesto and the Fifth Column by Michael. Green.

Bound and Free: the paradox of Martha's quest by John Cartwright Shabbir Banoobhai by Alan Brimer.