Southern African Cultural Workers Unite Against Apartheid
- ZA MEDU MEDU-4-4.6-4.6.3
- Sous-série organique
- 1982
Fait partie de 4-MEDU CULTURAL WORK
A sticker by Thami Mnyele for culture and resistance festival , Gaborone, 1982.
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53 résultats avec objets numériques Afficher les résultats avec des objets numériques
Southern African Cultural Workers Unite Against Apartheid
Fait partie de 4-MEDU CULTURAL WORK
A sticker by Thami Mnyele for culture and resistance festival , Gaborone, 1982.
Sans titre
Fait partie de 4-MEDU CULTURAL WORK
Untitled graphic by Thami Mnyele was distributed in 1984 newsletter.
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Fait partie de 4-MEDU CULTURAL WORK
Standing Committee of officials met on the 2/3 July, Council of members met on the 4 July 1984 and Summit on the 6th July at Gaborone, Botswana.
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Forward to Unity and Commitment in the year of women
Fait partie de 4-MEDU CULTURAL WORK
Poster card with the photo of Albertina Sisulu greeting and/or hugging Dorothy Mnyele on the release from jail. Post card is designed by Thami Mnyele.
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Background Information to the Exhibition, Symposium and Festival of South African Arts
Fait partie de 5-CULTURE & RESISTANCE CONFERENCE 1982
The document outlines the background to both the Art Toward Social Development exhibition and the Culture and Resistance Symposium. The exhibition was a culmination of two years work by South African artists who lived in Botswana. The idea came out of a number of individual exhibitions that were held by South African artists at the National Museum and Art Gallery in Gaborone. The holding of the Culture and Resistance Symposium and arts festival was developed for artists and cultural workers to meet and share different ideas. The objectives of the symposium are to expose South African cultural workers to a wide range of cultural work, to expose South African cultural workers to South African cultural developments and to produce a book on South African culture.
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List of Registrations for Fine Arts Section of the Symposium
Fait partie de 5-CULTURE & RESISTANCE CONFERENCE 1982
List of the different artists who registered for the Culture and Resistance Symposium. Includes artists' adresses and organisational affiliations.
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Culture and Resistance Conference and Art Toward Social Development Exhibition Pamphlets
Fait partie de 5-CULTURE & RESISTANCE CONFERENCE 1982
There are two (duplicate) pamphlets that provide brief information advertising for both the Culture and Resistance Symposium and the Art Toward Social Development Exhibition. Included within the flyer is a schedule for the Culture and Resistance Symposium with the dates and main topics for each day, together with the registration form that had to be filled by all attendees. The exhibition is advertised as being comprehensive, dynamic and historic for people. The exhibition aimed at having open discussion with the artists about the direction of South African culture.
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Art and Revolution in South Africa: The Theatre of Athol Fugard
Fait partie de 5-CULTURE & RESISTANCE CONFERENCE 1982
In this paper, it is argued that the theatre of Athol Fugard very rarely engages with the experiences of the proleteriat and the oppressed. The author argues that while Fugard did manage to transcend racial categories in his early work and engaged extensively with the scene and identities of the black working classes, he has failed to consistently produce meaningful plays which engage these audiences.
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Culture and Resistance in South Africa
Fait partie de 5-CULTURE & RESISTANCE CONFERENCE 1982
In this paper, Keorapetse Kgositsile argues that art and culture play a role in the struggle against Apartheid. Kgositsile, a poet and acclaimed writer, regards literature as being a key site of struggle. He suggests that literature "must serve the interests of the people in their fight against a culture which insists that they should be robbed". Kgositsile reflects on the contributions of literature to the struggle which he believes are both artistic and "functional" to the needs of the people.
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Musicians are part of the people
Fait partie de 5-CULTURE & RESISTANCE CONFERENCE 1982
In this paper, Barry Gilder argues that it is impossible for musicians to be separate from the struggle against Apartheid in South Africa. He suggests that musicians have two options; to be part of the struggle against Apartheid as "revolutionaries who make music" or as musicians who participate in the "revolution as musicians". Musicians can fight Apartheid through holding benefit concerts, creating their own record labels, organising into a collective musical organisation and boycotting the Apartheid state. These methods of resistance and artistic expression, the author argues, will all contribute to a necessary and genuinely popular and progressive musical culture.
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