WITS

Newsletter, No. 25

ZA HPRA AG3307-5-5-8
Sous-série organique
October 1983

Fait partie de Fosatu Worker News

Including reporting about the "Solidarnosc" movement in Poland.

Newspaper Columns

ZA HPRA A3449-B-B8
Sous-série organique
1983

Fait partie de Brian Mitchell Papers

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Newsletter 1983, Vol. 5, No. 2

ZA MEDU MEDU-3-3.1-3.1.13
Sous-série organique
1983

Fait partie de 3-MEDU NEWSLETTERS

What can our art be used for? Used by Whom? This edition of Medu explores the importance of art and its inextricable relationship to community. Two interviews, one with playwright Maki Mapogo and another with Musician Johnny Clegg, explore their artforms and the relationships these artforms have to community and activism. The Zimbabwe Writers'Workshop, chronicled in this edition, had extensive discussions on the political responsiblities of writers, includes delegates like Dambudzo Marechera and extracts from writers like Emmanuel Ngara, Micere Mugo and T.T. Moyana. The edition is concluded by Mongane Serote's in-depth article on the Politics of Culture in southern Africa. Front page graphic by Miles Pelo.

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Medu Calendar

ZA MEDU MEDU-4-4.5-4.5.4
Sous-série organique
1983

Fait partie de 4-MEDU CULTURAL WORK

Ordinary months of the year and display of Medu Posters.

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Newsletter, No. 22

ZA HPRA AG3307-5-5-5
Sous-série organique
July 1983

Fait partie de Fosatu Worker News

Interview with Chris Dlamini

The Night keeps Winking

ZA MEDU MEDU-4-4.5-4.5.1
Sous-série organique
1982

Fait partie de 4-MEDU CULTURAL WORK

The night keeps winking , poem by Mongane Serote and artwork was done by Thami Mnyele and was published by Medu in Gaborone in 1982.

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Southern African News Round-up

ZA MEDU MEDU-4-4.7-4.7.1
Sous-série organique
c.1982

Fait partie de 4-MEDU CULTURAL WORK

Cover design for SANRU by Judy Seidman on behalf of Medu. Flyer published by Botswana Orientation Centre in Gaborone, Botswana.

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Is Black Poetry Valid?

ZA MEDU MEDU-5-5.2-5.2.5
Sous-série organique
1982

Fait partie de 5-CULTURE & RESISTANCE CONFERENCE 1982

Is the concept of "black poetry" valid? James Matthews argues that black poetry has become a powerful force in South Africa. He suggests that poetry by and about the black majority is locally grounded and people no longer look toward America for such inspiration. Matthews draws links between black poetry, black consciousness and black power.

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