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Medu Art Ensemble
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United In Action

  • ZA MEDU MEDU-2-2.63
  • Unidad documental simple
  • 1983
  • Parte de2-MEDU POSTERS

Artists: Tim Williams and Thami Mnyele

Sin título

Itumeleng Films

  • ZA MEDU MEDU-2-2.68
  • Unidad documental simple
  • 1984
  • Parte de2-MEDU POSTERS

Artists: Judy Seidman and Thami Mnyele

Sin título

Women Arise!

  • ZA MEDU MEDU-2-2.78
  • Unidad documental simple
  • 1984
  • Parte de2-MEDU POSTERS

Artists: Thami Mnyele

Sin título

Newsletter 1980, March, Vol. 2, No. 1

Newsletter was issued in 1980 during the first quarter in March. Poetry section of this issue includes Tribute to Martyrs by James Matthews, Alex death blues by Dumisani Dhlamini, untitled poetry by Chippa wa Moagi. A short story by Mongane Serote titled the mosquito. An interview of Thamsanqa Mnyele interviewed by Tim Williams. Thami talks about his journey as a South African painter and designer. Thami Mnyele was a member of Medu. Lastly, the cover design of this newsletter was designed by F. Mbali and illustration by Thami Mnyele.

Sin título

Newsletter 1981, Vol. 3, No. 1

The central thrust behind this newsletter by the Medu Art Ensemble is the need to do art collectively and with a consciousness about community. The poetry section includes "Out of the faceless ghettos" by Bachana Mokwena. In this poem, his constant refrain to "Momma" reflects on the personal and structural pain of Apartheid through alternating between the words "momma", "mother" and "motherland". Here he laments the long history of racial oppression, the scars on Momma's back and the near-freedom which he grasps. A short story by Tebogo Mosabako entitled "Moshupa Story" relays a story of a young man in Moshupa Botswana, who through an act of goodwill receives care and reciprocity. In the section "Art Review", Dimakatso Dimakatso reviews Penny Miller's "Myths and Legends of Southern Africa", which, it is argued, reinforces the racist myths and legends of southern Africa. Es'kia Mpahlele's "Chirundu", a novel about the "entire process of life" in an (un-named) newly independent African state, is reviewed by Njabulo Ndebele. Each of these artforms presented in this edition speak to community, change, resistance and creativity.

Sin título

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