Correspondence with N. Marquard. Photocopies of Sobukwe' s letters to Nell Marquard
- ZA HPRA A2618-B-Bd
- Subserie
- 1964-1977
Parte deRobert Sobukwe Papers
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Correspondence with N. Marquard. Photocopies of Sobukwe' s letters to Nell Marquard
Parte deRobert Sobukwe Papers
Being Freedom Fighters: The autobiography of Morena Motaung
Parte deIain Edwards Papers
Born in Katlehong, on the East Rand, Morena Motaung became involved with the pre-1994 liberation movements, namely the Congress of South African Students (COSAS), and the African National Congress (ANC). He joined its military wing Umkhonto We Sizwe (MK) and its internal structures the Self Defence Units (SDUs) on the East Rand.
This autobiography relates his own story of the political struggles in the 1980s, and the transitional period that followed after 1994.
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Worker Culture in Durban in the 1980s: A photographic essay
Parte deIain Edwards Papers
Publications and Research Programmes
Parte de1-ORGANISATIONAL BACKGROUND
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Parte de6-MEDU MEMBER COLLECTIONS
Uncorrected first draft of Albie Sach's book titled murals of Maputo sent to Medu for comments in 1981.
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Parte de6-MEDU MEMBER COLLECTIONS
Original solidarity file folder for Botswana orientation center, Gaborone, designed by Judy Seidman (Medu).
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This document, composed by the Medu Art Collective, is a political input calling for a cultural boycott against Apartheid. This boycott aims at foreign artistic or cultural groups touring South Africa, boycotting the Apartheid government's cultural events and for progressive organisations to collectively and diligently organise these boycotts against Apartheid.
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Strategies for an Independent Radical Cinema
Keya Tomaselli proposes strategies for independent and radical cinema to grow in South Africa, especially considering the oppressive context of Apartheid. He argues for "Ter Cinema", a radical tradition of filmmaking which would create films for the oppressed majority. Tomaselli critiques a range of films and proposes new directions for filmmaking, starting with more engaged and radical film departments in universities. He reflects that cinema has often been called the "dream factory" and that "dreams are to be found in all levels of filmmaking, including those productions which set out to challenge the status quo".
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What is a progressive song? In this paper entitled "Song and Struggle", Muff Andersson argues that musicians (primarily lyrical musicians) should write songs that "keep the cogs of the struggle moving on". This can be done through writing progressive songs or ensuring that a communities' consciousness is reflected in a song and its ideas.
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Role of the Black Writer in South African History
The black writer holds a key position in liberating South Africa. Richard Rive believes that black writers personalise individual experience and that this plays a role in showing what society was, what it is and what it is heading towards. Rive argues that black writers owe allegiance to their own writing, their society and to their humanity.
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